Die geheimen Tagebücher von einer verderbten Existenz

Behind these gates you will hear my thoughts screaming like nerves under the sun and feel my emotion laughing to the empty ether.
Welcome Dear Wanderer, make yourself at home.
The road is long and tortuous and I hope you enjoy yourself.

Fraternally Yours,
Poison Creeper

Friday, 30 January 2009

Clown in the Moon

My tears are like the quiet drift
Of petals from some magic rose;
And all my grief flows from the rift
Of unremembered skies and snows.

I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream.

Dylan Thomas

Thursday, 15 January 2009

Kebabträume

Kebabträume in der Mauerstadt,
Türk-Kültür hinter Stacheldraht
Neu-Izmir ist in der DDR,
Atatürk der neue Herr.
Miliyet für die Sowjetunion,
In jeder Imbißstube ein Spion.
Im ZK Agent aus Türkei,
Deutschland, Deutschland, alles ist vorbei.

Kebabträume..

Miliyet...

Kebabträume...

Miliyet...

Wir sind die Türken von morgen.
Wir sind die Türken von morgen...


Wednesday, 14 January 2009

Limbo - Biography

This is the history of the eclectic and influential Italian project LIMBO which, after 20 years of activity, left its permanent mark on the international underground music landscape.



Formed in 1984 as the brainchild of Tuscan artist Gianluca Becuzzi - until today one of the most important personalities in the Italian electronic and experimental scene - LIMBO started out as a three-piece consisting of Becuzzi himself (vocals, synthesisers, programming and songwriting) and the two fellow art students Bruno Farese (synthesisers) and Carlo Mallegni (bass synthesiser).

Already three months later, the band released its first demo tape "Limbo" which gained the attention of the Italian music press and local promoters. Soon LIMBO began to perform live in Tuscany, also appearing on the underground tape-compilation "Still Life" with two tracks (including a new composition) on Roman label Komakino.



It didn't take long and word about LIMBO spread throughout, resulting in the band gaining a contract for a mini-LP on the already renowned label Spittle Records from Florence. After Enio Benassi taking the place of Carlo Mallegni, the three recorded the mini-LP "Poisoned Kisses In Limbo" in November 1985, which was released in February 1986.
After that, LIMBO embarked on the "Poisoned Tour", performing live all over Italy. Both the success of the record and the tour led to Spittle proposing a contract for a full-length album.

So at the end of 1986 the band locked itself up in the studio to record an album, having another change of line-up with Giovanni Fiaschi replacing Bruno Farese. Due to Spittle's failure the album was never released though, and the master tapes went lost. Only one track from those sessions appeared on the "Independent Music Meeting 88" compilation LP. After all these troubles, the further course of LIMBO was set by the departure of Benassi and Fiaschi and the decision of Becuzzi to work now as a duo with new member Vincenzo Mustone.



The two composed and recorded new tracks during the first half of 1989 which constituted LIMBO's actual debut album, named "My Whip, Your Flesh" and released in October of the same year on Mantra Records. This release was also followed by an Italian tour, further increasing LIMBO's status. All tracks of "My Whip, Your Flesh" were used in 1990 by Milanese director Fabio Salerno for his horror movie "Notte Profonda" (English title: "Deep Night") which became cult after the suicidal death of Salerno three years later.

1991 saw LIMBO's line-up expanding to a four-piece with Giovanni Fiaschi coming back and Silvio Pucci joining in. The band then returned to the studio to record the successor of the debut album. "Our Mary Of Cancer" was another important step in the artistic process of LIMBO, incorporating also guest vocalists like Alex Spalck of Pankow and Elena Margarolo of Brazil. The album was finished soon after and released by Helter Skelter in a limited edition of 666 on blood-red vinyl which sold out completely in few months only.



Leaving no break, the band continued instantly preparing material for the subsequent live shows and at the same time composing new material for yet another album. During its production, musical differences between Mustone and the rest of the band built up, leading to his departure after the recording process. The third album, entitled "Vox Insana", was released in spring 1992 on both CD and Vinyl on the newly established Dune Records instead of old label Helter Skelter.
Helter Skelter anticipated the release of "Vox Insana" with the unauthorised re-release of the two previous works "Our Mary Of Cancer" and "My Whip, Your Flesh" on a CD combining both albums (leaving out just one track from MWYF). This CD, known as "Black Album", was only authorised later - at the time neither band nor producer had been asked for permission.
However, "Vox Insana" further increased the popularity of LIMBO and in the course of the promotional tour the band (again as a three-piece) performed for the first time outside Italy with a date in Vienna.



At the end of 1992 the band recorded their fourth album "Evirazione Totemica Seriale" which was released by Florence based indie label Abraxas (under license from Dune Records) in the spring of 1993 and followed by an Italian tour. Also, new mixes of the album tracks have been made for an additional LIMBO release, but the project was never released.
The band, not satisfied with the production work on "Evirazione Totemica Seriale", decided to stop working with external producers in the future and went on writing new material. They recorded a new demo which was sent to various labels, but in the end a contract was offered in 1994 to LIMBO by Angelo Bergamini (head of legendary Italian electro-wave band Kirlian Camera and at the time also label manager of Ludwig II records), who was positively impressed by the band's live performance at a festival in Pisa (Italy). Bergamini signed LIMBO for an album and a single after listening also to their recent demo recordings.



The tracks of the demo were re-arranged, virtually stripping them from all guitar and bass parts, which led to internal problems with Silvio Pucci (bass and acoustic guitar) and Giovanni Fiaschi (electric guitars and violin). Moreover, Fiaschi's relocation to a new place about 300km from their hometown further weakened the structure of LIMBO, but the trio still succeeded in finishing the recordings of both the new album "Zos Kia Kaos" and the accompanying EP "Siliciolatria" in summer 1994. The two CDs were licensed by Bergamini's Ludwig II to the German label/distribution Discordia and finally released in the spring of 1995. Both Pucci and Fiaschi left soon after, reducing LIMBO to a one-man-project constituting of Gianluca Becuzzi.



Performing with the aid of backing tapes and visuals, Becuzzi by himself played several shows in the following months (including Germany and Switzerland) as LIMBO, also supporting Kirlian Camera on their tour through Germany and Austria.
Limbo's sixth album "Sein Und Zeit" was then released through Discordia directly in May 1996, following the release of "Plays Discordia" album by Metaform - a plagiarist side-project of Becuzzi - a month earlier. In the meantime Becuzzi had also been asked to replace the singer of the renowned electro-industrial band Pankow, so in parallel with the work on his own two releases, he was also doing the vocals on the new, homonymous Pankow album which was released later that year.



Resulting from Discordia's bankruptcy, "Hell's Gate Visions (1986/1996): A Total Revision", the long awaited retrospective remix album, was released only in October 1997 on follow-up label Triton. The collection became a huge success, but business relations between LIMBO and the new label soon ended.

While waiting for the release of "Hell's Gate Visions", Becuzzi was already writing new material for the continuation of "Sein Und Zeit". After an Italian mini-tour in May 1998 (this time with live support of D.Loop from the Italian EBM project Kebabträume), the seventh LIMBO album, entitled "L'Être Et Le Néant", was released in October by Solar Plexus, a sub-division of the German label/distribution Nova-Tekk.



Conceived and recorded in the same sessions of "L'Être Et Le Néant" in the summer of 1998, the recording of a cover album - the first part of LIMBO's "Millenium Trax" trilogy - was finished, and already in January 1999 the album titled "Continuum: The Fire Front" saw its release through Energeia, dark-wave label from Naples. Following the release of the two albums, LIMBO went on a short Italian tour.

Exactly one year later, the second part of the "Millenium Trax" trilogy, "Cospiratorium: The Ice Line", came out also on Energeia. The album included collaborations with the most important Italian electro acts of the eighties and nineties, such as Sigillum S, IT, Atrax Morgue, Kebabträume and others. Also Kinetix - Becuzzi's current project - was already introduced then. Work on this intensified soon after, and no tour was organised to support the new LIMBO album. At the same time, Becuzzi was also involved with Kirlian Camera, playing live keyboards and recording also a few tracks with them.



The idea for the last part of the "Millenium Trax" trilogy was to capture live versions of LIMBO's most important tracks. The band's concert at the Wave Gotik Treffen 2000 in Germany constituted the base for this release, but because of the unsatisfying quality of the recording a final tour was organised by D.Loop in March 2001, with three concerts covering the north, centre and south of Italy. The line-up consisted of Gianluca Becuzzi (vocals), D.Loop (backing vocals and keyboards) and the sound engineer Paolo Cillerai (stage mixing and effects), who recorded all the albums from "Sein und Zeit" up to "Cospiratorium".
The band recorded enough material for a live album and a live DVD, but when Energeia first postponed the release and later shut down, Becuzzi saw less and less reason to go on with LIMBO as he was already working intensely on material for Kinetix - by now his main project - and moving further into experimental territories.



Still, finishing the trilogy was important and in July 2002 the duo Becuzzi / Loop signed a contract for the last chapter of the "Millenium Trax Trilogy" with the Genovese label Cursed Land Entertainment (a sub-label of Beyond Productions) who asked them for a kind of "best of" release. So although its concept radically changed from a live album to a compilation of remastered, remixed and brand new tracks, "Compendium: The Light Fall" was finally released in April 2004 as a posthumous album, about two decades after the first demo tape and concluding an unparalleled career in underground music.
www.myspace.com/limboit
[from http://www.crepuscle.com/limbo/biofill.htm]

Tuesday, 13 January 2009

http://www.french-new-wave.com/artist.php

A B C D
A Foamy Project In Neutral Days
A.I.Z.
A.R.T.
Achwghâ Ney Wodei
Act
ADN' Ckrystall
ADN' La Catastrophe
Agence Tass
Alan Woxx
Alea Jacta Est
Alesia Cosmos
Analoid
Anechoic Chamber
Angel Maimone Entreprise
Ankh
Antibiotik
Après Guerre
Area Mildred
Art & Technique
Artefact
Asylum Party
Aurélia Kreit
Ausweis
Azile
B. Says
Baader Meinhof Wagen
Babel 17
Bad Brains
Baroque Bordello
Baroque
Begin Says
Bernard Szajner
Bildenzone
Blameless Act
Blue Sound
Bocal 5
Braque
Brigade Internationale
Bunkerstrasse
Buzz
C.K.C
C.O.M.A.
Cadavre Exquis
Candidate
Casino Music
CCM
Cérémonies
Charles de Goal
Clair Obscur
Classé X
Close Cover
Cocoon
Coldreams
Collection d'Arnell Andrea
Comix
Complot Bronswick
Continental Drugstore
Compilations D.stop
Daniel Darc
Danse Macabre
Dazibao
DDAA
Déficit des Années Antérieures
Denier Du Culte
Deux Hommes Avec Des Boites
Deux Pingouins
Deux
Dick Tracy
Die Bunker
Die Form
Die Puppe
Doctor Mix And The Remix
Duels
DZ Lectric

E F G H
Edith Nylon
Electric Callas
Elli & Jacno
Elli Medeiros
Ellysgarden
End of Data
Epitaphe
Eskimo
Étant Donnés
Evening Legions
Ex-Nihilo
Excès Nocturne
Fatidic Seconde
Frakture
Garbage Collector
Gegenacht
Geins't Naït
Germaine Scalp
Gestalt
Goûts de Luxe
Grise Romance
Guernica
Guerre Froide
Hôtel du Nord
Humour Malade
Hymn

I J K L
Ice
Ich Bin
Ilitch
In Aeternam Vale
Inc
Indochine
Interim
International Sin
Ivanhoe
Jacno
Jacquy Bitch
Jad Wio
JP 118
Kalashnikov
Kalashnikov
Kas Product
Kekko Bravo
Kindergarten
Kni Crik
L'An III
L'Avis G821
L'Enfance Éternelle
Laurent Pernice
Laurent Prot
Le Syndicat
Leitmotiv
Les Amants
Les Enfants de l'Ombre
Les Fils de Joie
Les Inconnus
Les Maîtres du Monde
Les Maîtres
Les Malades
Les Martyrs
Les Nus
Les Provisoires
Les Tétines Noires
Les Visiteurs du Soir
Ligne d'Hiver
Little Nemo
Lorelei
Lucas Trouble
Lucie Cries
Lust Sacrifice

M N O P
M. K. B.
Magnétique Bleu
Major Kyo
Man
Marc Seberg
Margaritas Ante Porcos
Marie et les Garçons
Marquis de Sade
Martin Dupont
Mary Goes Round
Masoch
Mathématiques Modernes
Matrix 1947
Mécanique Rythmique
Medikao
Men For Ben
Métal Boys
Métal Urbain
Modern Guy
Moderne
Mome Rath
Movement
Near Death Experience
Neutral Project
Neva
New Mixage
Nini Raviolette
No Unauthorized
Nocturne
Norma Loy
Norscq
Nox
Nuit Blanche
O G I
Octobre
Odessa
Opéra de Nuit
Opéra Multi Steel
Ophélie Song
Orchestre Rouge
Oto
Pacific 231
Palo Alto
Panoramas
Parallèles de Montségur
Paris France Transit
Pascal Comelade
Passion Fodder
Pavillon 7B
Performance
Persona Non Grata
Perspective Nevski
Philippe de Mouctouris
Portier de Nuit
Pour l'Exemple
Prima Linea
Private Jokes
Pro Memoria
Procédé
Psy 231
Ptôse

Q R S T
Radio Romance
Réseau d'Ombres
Résistance
Rise and Fall of a Decade
Rosa Crux
Rosa Luxemburg
Ruth
Sam F. Ullatrick
Sax Pustuls
Schpountz
Seconde Chambre
Shock Corridor
Soma Holiday
Soviets
SS 20
Stereo
Stinky Toys
Suicide Roméo
Tanit
Taxi Girl
Teepee
TGV
The (Hypothetical) Prophets
The Black Maria
The Bonaparte's
The Empty Bodies
The Game
The Grief
The Temple Gates
Thérèse Racket
Tokow Boys
Trans Values Access
Trisomie 21
Trista Motiv
Trop Tard
Tuatha De Danann

U V W X
Ubik
Ultime Possibilité
Un Département
Uncertain Call
Utilisation du Vieux Port
Various Artists
Vertigo
Vincent Legallo
Violette Nozière
Visible
Von Magnet
Vox 231
Vox Dei
Vox Populi!
Wallenberg
Warum Joe
WC 3
White Pain
X Ray Pop
Xeno

Y Z 0-9
Yaeell Stan
Zed
Zéro Divide
Zona
15.95

Auf Wiedersehen

deutsche maenner und deutsche frauen. deutsche maenner und deutsche
frauen. deutsche maenner und deutsche frauen. schatz steig ein zu mir. ich
bring dich fort von hier. in eine bessere welt. voll liebe und voll geld.
komm flieg mit mir davon in einem luftballon. ins land der phantasie. in
die bundesrepublik. Auf Wiedersehen

Friday, 9 January 2009

Jupiter opposition Sun: A turning point



6 January 2009 until 14 January 2009: This can be and usually is a very positive time. But you can make more or less out of it, depending upon how you handle it. In most ways it represents a period of culmination in your life, and you will be tempted to expand beyond any reasonable limit. There is no question that you have a good chance for success in any one of a number of endeavors at this time and, within reason, you should pursue them. However, you should not restrict yourself solely to material and physical growth now. Even if you don't have all the material goods that you want, you should turn your attention to spiritual and inner needs. Ultimately, nothing satisfies like satisfaction. Objects that you acquire, possessions, money, and even social prestige are merely devices to make you feel that you have satisfaction. They are not the state of satisfaction itself. It is your inner difficulties that make your life less than it could be, even if you have corresponding problems in the material world. You must look for the solutions within yourself, and this time represents a turning point, where you should begin to look for the answers.

Under this influence, the tendency is to go after everything that you want in the material world without caring especially about whoever is in your way, to gather as much stuff as you can and indulge yourself in what you want. Then, as the influence subsides, you may feel that this effort has failed, leaving your life as empty as it was before.

Do not be arrogant toward others or assume that you have everything right. Through meaningful encounters with others, especially intimate one-to-one encounters, you can find out which way you should go at this time. Work with another person and think in terms of mutual growth. By trying to achieve goals set by both of you and by trying to be a twosome, you each will become more conscious of what you are as an individual. If you can recognize the real meaning of this influence in terms of your own life, this can be an extremely productive and growth-oriented time, a period that will always have meaning for you.

Sun in the Twelfth House



You have a strong sense of privacy and individuality. You disclose your inner feelings only in the most intimate circumstances and only to those whom you feel are your closest friends. Such openness is, in fact, the highest honor and token of love that you can bestow upon a friend or lover.

Because of your natural reticence, you don't actively seek new relationships, but rather tend to wait for others to seek you out.

Others may see your personal life as quite mysterious, attracting speculation about behind- closed-doors affairs. They will seldom be able to assess your private life accurately, but the very mystery will make you seem more attractive and desirable

Thursday, 8 January 2009

Lost Forever, In The Blitzkrieg Of Roses

A flower so tender that longs to be hurt
So scarlet and slender it blossoms in dirt
Seductive and feral so perfect in thorns
One kiss by its prickle and hope is forlorn

That roses conquer the yarns did not teach
But rousing and violent are kisses that breach
Provoked by enlightenment the siege has begun
A triumph of passion a war to be won

Intrigued by its beauty compelled by its smell
The scent of its petals like whispers from hell
The conduct of warfare extends through the night
The blitzkrieg of roses resolves in delight

A flower so tender that conquers by force
Seduction through conquest by roses at war
So tender yet forceful the flower proceeds
Find More lyrics at www.sweetslyrics.com
To harvest its victims in search to be pleased

Sweet blossom of conduct disposed to prevail
Advancing with triumph to vanquish avail
The warfare of roses sustained by the truth
Both pleasure and violence are there to be used

It knows not its beauty it tries not to dream
So perfect in silence it yearns to be seen
It wants to be picked and compelled to believe
That love and submission are hers to receive

Intrigued by its beauty compelled by its smell
The scent of its petals like whispers from hell
The conduct of warfare extends through the night
The blitzkrieg of roses resolves in delight

Monday, 5 January 2009

Liebe Utopia On Waves of Silken Carnage

I long to find Utopia my fatherland unsung;
Where girls confined in corsetry prevail beneath the sun
I search inside perversion for the symbols of my heart
For velvet runes of Paradise for luster in the dark

I search in implications for the gospel of untruth
For Paradise erected on the residues of truth
I search in desecration for the stainless and unchaste
For maidens of distinction to undress and consecrate

I search inside perfection for the wedlock of my soul
For velvet runes of crimson to beget my spirit whole
On weaves of silken carnage I shall recognize the sun
A sparkling star of scarlet which shall make the covert known

I search inside dissention for Utopia profuse
Where chastity surrenders to debauchery of truth
I search before extinction for the salvage of myself
For Velvet runes of crimson to redeem my cloven self

The Tenderness of Wolves

(lyrics by Gavin Friday)
Was all in vain? Or did you cry?
No need to ask, my tears have run dry
This is the end of my pity
I await to die
You now the living, me now the dead
To prove that you loved me
Mere words could not have said
Bitting into skin, into flesh, into me
Taking all you could
Oh, I'd still give you blood
Just to paint your lips
If you should wish them red
My desires your kiss completed
But only now I can see
The vicious joy when you took delight
Behind each kiss your poison bite
And when my all was given
And you had taken
Oh dog-like Judas
You did disappear
Was all in vain? Or did you cry?
No need to ask
You now the living, me now the dead

Coil Lyrics

http://www.stlyrics.com/songs/c/coil5948.html