We’re being sold that something is way more important that it really is, but we don’t mind … so it’s “propaganda” as opposed to being a “lie.”
(click on the quote to read the article)
Here are some example of modern Propaganda Art
An American contemporary graphic designer and illustrator who emerged from the skateboarding scene. He first became known for his "Andre the Giant Has a Posse" (…OBEY…) sticker campaign, in which he appropriated images from the comedic supermarket tabloid Weekly World News. His work became more widely known in the 2008 U.S. presidential election, specifically his Barack Obama "Hope" poster. The Institute of Contemporary Art, Boston calls him one of today's best known and most influential street artists His work is included in the collections at The Smithsonian, the Los Angeles County Museum of Art, the Museum of Modern Art in New York, the Museum of Contemporary Art San Diego, the National Portrait Gallery in Washington, the Virginia Museum of Fine Arts in Richmond, and the Victoria and Albert Museum in London.
And Robbie Conal:
An American guerrilla poster artist noted for his gnarled, grotesque depictions of U.S. political figures of note. A former hippie, he is noted for distributing his poster art throughout a city overnight using his "volunteer guerrilla postering army".
Conal's parents were both union organizers, and he grew up in Manhattan. He "graduated" in arts from San Francisco State University in 1969, although he was two credits short of a degree. After living briefly in Canada he obtained a MFA from Stanford University in 1978, and moved to the Los Angeles area in 1984, where he currently resides. Conal is an adjunct professor of painting and drawing at the University of Southern California's Roski School of Fine Arts.
Conal's work has been featured in numerous publications, including Time, Newsweek, the New York Times, the Los Angeles Times, as well as CBS's This Morning and Charlie Rose. He was the subject of the 1992 documentary Post No Bills directed by filmmaker Clay Walker. He has also written two books, Art Attack: The Midnight Politics Of A Guerrilla Artist and Artburn, a collection of his work published in the alternative newspaper L.A. Weekly. He has been awarded grants by the National Endowment for the Arts and the Getty Trust.
In 2004, Conal joined artists Shepard Fairey and Mear One to create a series of "anti-war, anti-Bush" posters for a street art campaign called "Be the Revolution" for the art collective Post Gen.
Conal was also one of the 112 members at the "Table of Free Voices" event in Berlin.
One of Conal's posters is prominently displayed in a scene in the 1999 film The Insider.